THE GOOD FRIDAY ALBUM ANNOUNCEMENTS….

HEAR YE! HEAR YE! THE GOOD FRIDAY ANNOUNCEMENTS ARE HERE FOR YOU TO HEAR IN YOUR EARS!

GOOD FRIDAY ANNOUNCEMENT 1: Our new album ‘Tremors & Nosebleeds: The Melodies of a Malady’ will be released on vinyl and download by Pie & Vinyl Records on Monday 22nd April 2013!

http://www.facebook.com/pages/Pie-Vinyl-Records/553520584679230

GOOD FRIDAY ANNOUNCEMENT 2: We are having a launch show/mini festival at The Wedgewood Rooms on Sunday 21st Apri with some of our favourite bands!

http://www.facebook.com/events/584303971594938/?fref=ts

GOOD FRIDAY ANNOUNCEMENT 3: Lastly…we will be performing a Record Store Day acoustic set at our HQ of Pie and Vinyl Record Cafe on Sat 20th April!

HERE IS OUR NEW ALBUM TO STREAM:

Here’s our 2 singles so far:

‘Wander (Through the Night)’ video :

‘Aim High’ video: 

If you like a tweet every now and then, please go show our new label some love too:

http://twitter.com/PieVinylRecords

See you at the launch show!

TBOTB

xxxxx

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What it means to be an ‘unsuccessful’ band in the 21st Century

 

Morning all

 

I’ve been meaning to write a blog like this for some time but a few things have stopped me in the past.

 

Firstly, I don’t want this to come across as ‘moany-musician-moans-about-no-one-liking-his-moany-band-with-moany-songs’ It’s a horrible tone and something that I wouldn’t want to read myself. I’m extremely proud of everything we’ve achieved in The B of the Bang – the gigs we’ve played, the material we’ve released, the days/nights/laughs/tears we’ve all shared have been, and will continue to be, some of the greatest times of my life. The band has already achieved more than we ever intended….

 

Secondly, these views are entirely my own. Often they are only half formed too. Everything I say/think/do is open to debate and I’m constantly surprising myself to find that I disagree with my own opinions quite often. How does that work? I’m not sure. The highs of playing a great gig on a decent stage to a responsive audience are counteracted with playing the Cock and Balls in Durham after a 5 hour drive to precisely no-one and I’m quite certain that this ying-yang lifestyle affects the brain. Who said bi-polar? Quiet you….

 

Sooooooooo……

 

Why am I writing this? Well – recently I’ve been thinking about our wee band and the context in which it nestles an awful lot. What it means? What’s it for? Does it matter anymore…(just a little rhyme there for you…you can have that for free…)

 

Anyway, I’ve come to the following conclusions….

 

1)    Honesty is all that matters.

 

Many people moan about ‘music not being as good as it used to be’. Those people have no ears. I can safely say that most of my favourite bands have only formed in the last 5 years or so.

 

Of course there will be artists from your formative musical experiences and teenage years of youthful reckless abandonment that will always hold a very special place in your heart – I’m looking at you Idlewild – BUT there is such an extraordinary wealth of innovative, inspiring and groundbreaking artists around at the mo that unless you only listen to the seemingly-aimed-at 6-year-olds Radio 1 of late then you’d be mental to ignore. I’m thinking of Nils Frahm & Olafur Arnalds, of Efterklang, of Wild Beasts, of No Age, of I Break Horses, Bat for Lashes, Bon Iver, Beirut and Borko…and with all of them I get the impression that they are making the music they want to make. Whether they are making it poppier for a wider appeal or more avant-garde for beard-rubbing tosspots like me it still sounds entirely honest. Entirely like the artist themselves.

 

Some bands, however, my silly addled mind doesn’t seem to let get away with it quite so easily and I’m not sure why….at this juncture I’m thinking of now globe-straddling bands such as Kings of Leon, Muse, The Killers et al. Great early albums (and I’m sure they don’t give a toss about my opinion…) but all have become sort of irrelevant to me. Not disliked, just not interested. That’s not to say I don’t still enjoy humming along on the radio, I just wouldn’t go buy their latest records. Whereas someone like Biffy Clyro, for some reason I think, fair play lads…go for it, make your chorus’ bigger. WHY BRAIN? WHY? I’m as unaware as you but…just being honest.

 

2) I love music. I do not love all the bullshit that goes with it.

 

When you read those generally terrible (though there are a few good’uns) ‘HOW TO MAKE IT IN MUSIC’ type books – we’ve all had a look – I disagree with so much of what is said. Most of it is the stuff that says to be SUCCESSFUL you have to treat your music like a BUSINESS and think about who it is MARKETED at, think about how you are MARKETED, think about…..and I can barely bring myself to say this word….NETWORKING…..urghhhh…

 

I guess it comes down to your interpretation of the word ‘success.’ I’ll generalise and say ‘success’ to most bands would be playing gigs to 1000s of loving fans who part with their hard earned cash to lap up all your merch then…yes…in a ideal world we’d love to be there. We would snap it up in a heartbeat. But, having spoken to a few musicians who are in those kind of slightly dodgy indie-pop bands that we sneer at, they are generally decent, nice folks who have good music taste but they know what works and what ‘the mass public’ want to hear. It’s a fine and easily fuck-uppable line to walk. No-one has ever said to us ‘you should make that catchier’ or ‘put in a few more chorus and take out the weird time signatures’ which I know a few bands who have had that and, as a result, I feel we’ve earned our own level of success. When we play live, hopefully a few folk will come along and a few folk will maybe feel they’d like to hear us again so grab an album or come to our next gig. Can’t really grumble with that.

 

I guess the schmoozing/emailing/PRing are all valid and necessary avenues if you want to climb the ladder but they do sometimes feel dangerously close to being the equivalent of the office goody goody impressing the boss by staying late for unpaid overtime. Bands at our level will often put things in their press release saying ‘unaminous critical acclaim’ and ‘eagerly awaited’. We do it. But it’s not like the critical acclaim came from Pitchfork, Drowned in Sound and NME. It was the drummers nan and the old man at the bar with 2 hearing aids. I’m lucky in that I work in a music studio and get paid already to do something I love and I tell you right now. I’d rather be tinkering around with the modular synthesisers we have than analyzing our Soundcloud statistics. Maybe that’s where we’re going wrong….which leads me to my next point…

 

3)    Music is entertainment, not ‘entertainment’

 

This is possibly the hardest point to make myself clear on. Probably because I’m not really sure of my own feelings on the subject anymore. It was easy growing up – you knew Radiohead wouldn’t sell their songs to adverts cos that was ‘wrong maaaaan’. But they were happy to take EMI’s dosh for a long long time and play the O2 this year for 70 sheets a ticket (I’m not bitter cos I couldn’t afford to go….much). I can’t think of anything that rises the bile so much as that terrible car advert at the mo with that annoying looking bunch absolutely massacring ‘Ever Fallen In Love’ by The Buzzcocks (one of our greatest ever pop songs). Or that awful hair-care one with that lass singing in her bedroom whilst explaining how to get rid of unwanted frizz. I can’t write about it anymore. It’s making my eye twitch.

 

So what do I mean then? Well, yes, music is entertainment. I go to gigs to be entertained, I hope when we play that we entertain people. But the important thing to remember here is that it is really a by-product of the witnessing of the music creation itself. To quote that horrible old music-hack classic: A band makes music for itself and if anyone else likes it…I can’t even bring myself to finish the sentence but you know what I’m saying. Lots of folks say it. Only some mean it.

 

I don’t think (in the words of Thom Yorke…I might be wrong…) that Nick Drake would have been sending out Facebook updates asking for ‘likes’ or that John Coltrane would have stayed up late formulating his next move in the blogosphere. He’d’ve been too off his tits. Saying that, Bob Dylan’s even doing status updates now so what do I know? I’m not particularly a fan of social media (I don’t care what you’re having for lunch unless I’m actually out with you…) but I realise that they are powerful tools and we’d be foolish to ignore them as a band. Just don’t expect ridiculously banal tweets. I’m having a ham sandwich with garlic Philadelphia for lunch by the way….

 

Recently, at Iceland Airwaves festival, I noticed just how many people had their camera phones on them all the time. Not just once or twice, but for a whole gig. Photographers snapping away without a care for anyone else, right in the middle of quietest passage during a beautiful bit of hushed piano. It made me want to place their cameras in a place that might need a good flash to get a picture. Don’t get me wrong – I might take one or two pics during a bands set, usually betwixt songs because….and get this…..I WANT TO ACTUALLY WATCH THE GIG. Be there in the moment. Enjoy the band. Listen to the music. Remember when that used to happen? I don’t care that you’re putting it up on Youtube in 5 minutes. Wait for the DVD to come out, film that, then put that up. Fools.

 

4)    Integrity is key

 

I guess this ties in with the honesty thing. The B of the Bang has been chuntering on (is that a word?) in various guises for about 5 years now. The first year was just myself messing about with a couple of crappy guitars and dodgy samplers. Then it changed into the ever-evolving collective with many different super talented members every gig for a couple of years. That was great fun but very hard to maintain. Finally, during the last 2 years it has become what you might call, a ‘proper’ band. One that, I might add, has been an unresrved joy to be a part of (mostly). To look back at what we have achieved and, more importantly, looking forward to what we can still achieve is a source of great pride to me. All of these manifestations have felt completely natural; none of it has been forced. Our second album (if it ever comes out – it’s been finished for ruddy ages…) is a collection of songs that I’m extremely proud of and I can confidently say are the best thing we’ve ever committed to tape/hard-drive. I listen back to our first album now and there’s some good stuff and not so good stuff on there – but that’s how it should be. A snapshot of that period of time in our lives. I wouldn’t change a thing about it.

 

Folks (generally acquaintances or older family members) will sometimes casually say such horrors as ‘why don’t you go on X Factor?’ or ‘you should do some covers that everyone knows?’ I think most people in bands get asked this from time to time. Personally, I don’t have anything against those kind of shows. At least they’re pretty honest in their exploitation. It’s not about music in the slightest. Pure entertainment. Although when it involves often extremely naïve or unstable young people, that’s not on. So I guess I do have something against them. That and they’re shit.

 

And the covers thing? I did it once for about 2 weeks. I really admire people who can switch off their cringe-factor (idea for a new talent show…Cringe Factor…) as mine seems to be tuned extremely high. Someone mentioned we do ‘Mercy’ by Duffy and I almost threw myself into the Solent. Obviously I have a very low gag reflex. But as I am reliably informed, even Robert Johnson covered popular ditties of the time in front of the local market. However, he irresponsibly sold his soul to the Devil so what does he know eh?

 

There you go. My thoughts on a few things. Some may not be right. Some may be hazily explained. But that’s tough titties. I love playing live. I love creating sounds in the recording studio. I love discovering new music. I love listening to old music. I don’t like having to deal with unprofessional, un-courteous, impolite people or close-minded fools. I think right now our band is hitting a rich vein of form and I’m writing the best music of my life. I guess I have to be happy with that as most of it will never see the light of day. Is that enough for me?

 

In the slightly bastardized words from Goodnight Mr Tom when the excellent John Thaw is asked ‘is love enough?’ (and for ‘love’ here, replace with ‘music’. They’re the same thing to my mind.) He staunchly replies:

 

‘I guess it’ll have to be, in this day and age’.

 

Wit

Xxx

 

 

Ps I’ve never even been to Durham. Let alone played ‘The Cock and Balls’ public house. I apologise. You get the drift….

Gigs! Free Music! The World Wide Web!

Aloha!

First up – 2 London gigs are on the horizon. We’d love to see some friendly faces at them. Well, just faces really….

  • WED 3rd OCT: Death2Disco, Notting Hill Arts Club
  • FRI 5th OCT: Camden Wheelbarrow

 

Secondly – we’re trying to get everything up to date and ready to go for album 2’s imminent release. As a part of this, for a limited time, we’re offering our first album ‘Beginning. Middle. End.’ and our twin EP’s ‘ART DECO’ & ‘ART NOUVEAU’ AS WELL AS our brand new forthcoming single as FREE DOWNLOADS over on our Soundcloud page….that’s 20+ songs! For nowt!

Don’t say we never give you anything….

http://soundcloud.com/thebofthebang

So…you’ve got the back catalogue sorted now. Where do you go to keep up with what’s occuring in BangLand?

http://www.thebofthebang.co.uk/

http://www.facebook.com/thebofthebangwillsaveyou

https://twitter.com/thebofthebang

http://www.youtube.com/user/thebofthebang

http://jellymaidmusic.com/artists/the-b-of-the-bang/

And if you’re reading this you’ll already know about our blog won’t you? Good.

See you very soon…..very very soon

TBOTB

xxxxxx