BUNGALOW TOWN

So I think enough time has gone by now and the dust has finally settled to finish the last few posts about the songs we released. Grieving period over….I think (sniff sniff…). We had our final gig at Southsea Fest and my word it was emotional. I’ll probably write a little bit more about that at the very end of these posts…

ANYWAY – WHERE WERE WE?

Bungalow Town. Yes. A duet. Myself and Rox sharing vocal duties entirely. I always wanted to do more of this as I think it sounds rather nice in general. Her vox and piano make this song for me, really.

This was the ballady one on the album. A guilty pleasure of mine (actually I don’t feel guilty whatsoever) is The Connells. Those of mid 90’s pop-rock one-hit wonder-smash ’74/75′. ‘Bungalow Town’ is me basically ripping it off. Yes, yes yes you can listen to all the Ben Frost/Nils Frahm/These New Puritans you want and pretend how hipster you are but at the end of the day….THE CONNELLS. Crikey, what a song.

The lyrics stemmed from something I was reading at the time regarding a sort of little English version of Hollywood that sprung up sometime at the start of the 20th century on the beaches of Shoreham-By-Sea. As unlikely as that sounds. I think it was a film star who first moved there and had a house built. Lots of others followed suit and it lead to this bacchanalian little set of Primrose Hill-esque trendsters having a bit of a party in all these new bungalows they’d had built. A lot of the buildings burned down though quite soon after being made of wood which all seemed like an appealing metaphor so…there you go. I guess personally growing up in a small town and wanting to leave as soon as possible is something universal to lots of folks in similar positions too which also informed the lyrics. However, when you get to this new exciting place, you still have that same ‘grass-is-greener’ feeling inside. That’s what ‘Bungalow Town’ is about in a nutshell.

I’d also read an article on the recording of an REM song (I forget which one) but it was pertaining to the fact that, although the song was just piano, guitar and vocals, there were tons and tons of tracks recorded and layers of instruments to give it a thick, lush sound. I tried the same for this so there were quite a few acoustic guitar and mic combos even though it sounds like one guitar playing. To be honest, Jake the Snake who mixed it probably got rid of them all anyway so I may be talking balls. No change there.

ALBUMS OF THE YEAR 2013

It’s that time of year again innit? Fire crackling (I don’t have a fire), stocking hung (I don’t have a stocking) and sherry in hand (I don’t have any sherry)….it’s time for that odd, and slightly unnatural, annual yuletide tradition of PUTTING THINGS YOU LIKE INTO AN ORDER FOR NO APPARENT REASON. But, like watching Jack Frost (the terrible Michael Keaton-is-a-snowman one…), drinking Advocaat (why would you do that at any other time of year?) and eating sprouts (January to November they are banned from my plate)…it just has to be done as December’s darkness envelopes us all…

So….ready? Heating on? Carols being sung? Astonishing amount of pastry based snacks at hand?

My (me. Wit. Hello.) Albums of the Year 2013. GO!

#10) Lanterns on the Lake – Until the Colours Run

A band that seem to have gone through a whole load of shitty stuff just to get the chance to make their second album (which certainly resonates with us…) and the end result is ruddy fantastic. A record that skillfully blends swelling, subtle, gorgeous tunes with informed and thought-provoking lyrics. A theme that seems to crop up lots in the following artists….

#9) Olafur Arnalds – For Now I Am Winter

The Erased Tapes label really is a goldmine and Olafur is probably their…er….shiniest nugget? (Sorry Olafur…that was meant to be a compliment). All of his work is beautifully evocative and this’n is no exception. They (who are ‘they???’) call it ‘neo-classical’ but daft genre titles don’t really interest me. What does interest me are subtle electronic beats, sparsely layered string quartets and even some cheeky, sexy vocals popping up this time round. A wonderful, wintry album.

#8) Midlake – Antiphon

An all time fave band of mine returning with an album that’s much more impressive than it really has any right to be. Eric Pulido taking over on vox from Tim Smith has only invigorated things as far as I can hear and the songs themselves are as classy, inventive, well executed and lyrically inspired as ever. Well played sirs. Well played.

#7) Nadine Shah – Love Your Dum and Mad

An artist who I was unaware of until very recently and I’m ever so glad I am now. I think she’ll be a mighty force to be reckoned with in years to come. Fantastic lyrics and fantastic musicianship. The restrained power in her voice really is something to behold too. What’s not to love? I believe Wild Beasts like her n’all so that means I must be right.

#6) Sigur Ros – Kveikur

A tricky one this. On the one hand, if you held a gun to my head (please don’t…I’d probably wet myself…), I would more than likely say – depending on what day of the week it is – that Sigur Ros are my ‘favourite’ band overall. Kveikur certainly has some of their most immediate, ‘catchiest’ (not really the right word for Jonsi & co…) work on it but I will admit, when push comes to shove…(guns, pushing, shoving…what’s going on?)…I prefer the Ros in full on soundscapey mode. In fact, the album of theirs I’m probably fondest of is Valtari. Saying that, it’s a bit like comparing eating Wensleydale with watching snooker. They’re both lush so let’s just enjoy them all and STOP COMPARING EVERYTHING YEAH???

#5) The National – Trouble Will Find Me

It’s rare these days that you get a band who deliver album after album of top notch stuff. Even rarer when each album bests the last. Mid-period REM spring to mind (for a while anyway…) and I think this lot are their natural successors. Again you get those people (often dullards…) that are all ‘Alligator/High Violet/Boxer is the best and nothing will beat that’ but I couldn’t care less – I think this is easily up there with some of their finest stuff. Sounds even better live too.

#4) John Grant – Pale Green Ghosts

I’ve been hooked on Johnny-boy since I first heard his dulcet tones a few years back. He just has that certain quality where you need to hear what he has to say and want to know everything that he’s thinking. A wonderful album that’s quite different from his first solo record and, to these ears, even better for it. The Gus Gus involvement in production meant the album was always going to be a bit ‘dancier’ (for want of a better word) but it still manages to be packed full of emotion and meaning. Also, the third Bella Union act on this list. They know what they’re doing them lot.

#3) Nick Cave & The Bad Seeds – Push the Sky Away

It’s Nick Cave for fucks sake. I don’t need to say anymore.

#2) These New Puritans – Field of Reeds 

Firstly, most of the reviews I’ve read about this album bang on about how it’s ‘like, almost classical man’ or that it’s mind-bogglingly, genre-spanningly, boundary-pushing…er…ly…different from everything ever in music. I’m not quite sure I completely agree with all that BUT what I do hear is an incredibly strong album, packed with excellent songs and interesting arrangements from a band at the top of their game. It goes to show how homogenised and derivative a lot of current music is at the moment that, when a band come along who do have a definite and specific vision, people whip out the over-the-top superlatives like ol’ Jack whips out the Taiko drums and samurai swords. Still superb though.

#1) Mogwai – Les Revenants OST

Now I’m no Mogwai purist/die-hard fan like lots o’ folk. I’ve always liked what I’ve heard by them and owned a few bits and bobs but I’m not what you’d call a completist (about anything to be honest…I don’t think I have the patience or attention span…). Hearing this album though, and intrinsically linking it in my mind to some of the beautiful imagery from the excellent French TV series it soundtracks, just made me go a bit Mogwai-mad. There’s something rather special about it. In general, I like a bit of instrumental post-rock as much as the next man but occasionally I find there can be a wee bit of emotional detachment involved. More nodding and beard-stroking than actually feeling like your heart may explode. This album, however, really does deliver it all. A cardiopulmonary whilst rubbing ones chin approvingly.

Special mention goes to Everything Everything for making one of the more interesting mainstream(ish) pop albums of recent times in ‘Arc’ and the following two albums I still don’t actually own but have been listening to loooaaaaads and intend to purchase ‘em as soon as possible (unless Santa is reading this…I’ve been reet good this year big man…) – those albums in question are Nils Frahm ‘Spaces’ and Anna Calvi ‘One Breath’. Cracking stuff.

Tons more I’ve heard bits of this year too but just haven’t yet had enough time or dosh to make up my mind and buy (as usual) including:

Emiliana Torrini, Boards of Canada, Volcano Choir, No Age, Tuung, I Am Kloot, Eels, Deerhunter and probably loads of others I forget. SO MUCH MUZIK.

So there you have it. Some will agree, most won’t. That’s the joy of art isn’t it? If you find this list rubs you the wrong way so hard that you’re face goes red and you want to send a strongly worded email on how wrong I am then send it here: elliottgregg@thedrummer.com

I think I’ll post up me top gigs of the year somewhen this week too. Just because.

SPEAKING OF GIGS (see what I did there…?) – come to this next Wednesday and you really will feel that Christmas miracles can come true:

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Facebook Event – http://www.facebook.com/events/479932588788715/
Pie & Vinyl Event – http://www.pieandvinyl.co.uk/events/2784/
Wedgewood Rooms Event & tickets – http://wedgewood-rooms.co.uk/WhatsOn/LiveMusic/LIVELOCAL.aspx
In the words of Tiny Tim…..MERRY FUCKING CHRISTMAS
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